11/18/2023 0 Comments Spell bound movie![]() ![]() Like most of Hitchcock’s other works, the inclusion of a curious, little notion (here, the guilt complex) early on winds up being hugely significant – notably when Peck’s character suffers from that very condition and, brilliantly, at the conclusion when it’s transferred to Constance. Alex Brulov’s (Michael Chekhov) residence, nearly every line of dialogue is comical – frequently alluding to their newlywed cover story being free of complexes (with their honeymoon arrangements equally whimsical). ![]() Later, when she’s hiding out at old friend Dr. Hitchcock also includes humor to break up the suspense, with the most obvious example entering the picture as Constance lets a house detective (Bill Goodwin) at the Empire State Hotel work his psychological guesswork on her, leading him along with fake clues. The situations are stickier considering that Constance still has feelings for the man who not only hoodwinked the entire asylum, but also wooed her under false pretenses – and, of course, might be physically dangerous. True to director Alfred Hitchcock’s form, nothing is as it seems, with the mystery continuing to become more complex as amnesia and paranoia work their way into the plot. The haunting melodies by Miklos Rozsa perfectly complement the puzzlingly cryptic happenings as identities are uncovered and deceptions elaborated. When Edwardes himself has an episode in the surgery room, Constance begins to realize that this substitute is not who he says he is – and may in fact be a murderer. Their momentary embrace is interrupted by word of patient Garmes (Norman Lloyd) attempting to kill Fleurot, and then cutting his own throat. Petersen can’t help it and succumbs to emotions by which she assumed she’d never be trapped – especially over the course of a single day. This is amusing to her colleagues, who have previously viewed her as frigid (a “human glacier”) with commonplace ‘40s sexism, Edwardes is therefore likened to Casanova. Nonetheless, she takes a stroll with the professor through the countryside, letting down her guard to spend the afternoon picnicking. It’s love at first sight for Constance, who is both entranced and suspicious of Edwardes – who himself immediately exhibits some alarming eccentricities. Anthony Edwardes (Gregory Peck), an accomplished author (having written the groundbreaking “Labyrinth of the Guilt Complex”) and scientist and a successor most worthy of taking the reins. Carroll) prepares to leave the Green Manors institution in Vermont, the staff awaits the arrival of replacement Dr. Hoping to unlock the doors of the mind, to allow illness and confusion to disappear once the reasons behind disturbances are discovered, she works diligently studying her books and research – while simultaneously fending off harmless advances by fellow psychiatrist Dr. Many of her patients, like enraged man-hater Mary Carmichael (Rhonda Fleming), become physically violent when mentally probed on the therapy couch. Constance Petersen (Ingrid Bergman) is a psychoanalyst, helping to cure the disease of impaired contact with reality. ![]()
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